June 2011 Newsletter |
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Dear Friends, ![]() I've recently returned from a magical month in New York City, where I spent almost three weeks with my daughter Sage, helping get things together with her and Jake for the birth of their first child. Blue Rose Cohl entered this life alert, aware, healthy, and blessed and surrounded by love on June 9 at 6:49am. I was able to spend 11 more days with them before I had to return home to Eugene—11 days of incomparable grandma bliss and delight. I took this photo just before I left for the airport. ![]() Leaving Blue was difficult, and having paradise to return to has been helpful. Here is a small taste of Kuan Yin's garden this year. I hope you will be able to come for a session or a retreat, and feel for yourself the healing power of this land. Egypt, 2011 and 2012I was far too busy having the quintessential New York experience to keep up with my newsletters. Although I didn't get up to CoSM, I did get to spend some time with Alex and Allyson Grey, and plan a small, dream tour of Egypt for February, 2012. We will only be able to take 16 participants, so if you missed the last one we did together, this is an opportunity you won't want to miss! We decided to use our private dahabaya, which we will turn into an art studio during our eight-day sail down the Nile. Please contact our office if you are interested. We are already accepting deposits, although we are just now working out the full itinerary and will post details soon on the tour's web page. We still have space in our October tour as well. Please check out all of the Shamanic Journeys tours for 2011 and 2012. If you feel called to Egypt, there is no better time than now, before the crowds return. Egypt is safe, secure, and brimming with potent magic. Spiderman: Turn Off the Dark
Initially written by Julie Taymor and Glen Berger, and directed by Julie Taymor, with music created by U-2's Bono and The Edge, Spiderman has been in the making for a number of years, at a cost of about 75 million. It is far and away the most expensive and technically ambitious Broadway production, ever. It features aerial sequences you might expect in a movie, or a Cirque du Soleil performance. It's plunge into shamanic darkness and near death started with it's inability to meet deadlines for openings, and from then on was plagued with a series of injuries, scathing reviews, and a sense that the production was cursed. It seemed to some that the audience In a classic shamanic journey of dissolution, the show went dark while new spirit was infused into almost every aspect of the production: the story was rewritten, the musical score tweaked, characters dropped and added, a new director installed, and most amazing of all, the cast was rejoined by Christopher Tierney, the lead flyer who was seriously injured in a 35 foot fall just three months earlier. Witnessing the triumphant redemption on opening night was a highlight of my New York experience. (Brushing elbows with Bill Clinton was especially memorable.) Having seen two earlier previews, it was the evolution of the production and emergence of truly great theater that made the night. The new show was true to its classic comic book origins—pure entertainment from start to finish with a predictable love story, a wonderfully nasty villain, some great music, and spectacular visuals in sets, costumes and aerial displays throughout. If you have the opportunity, treat yourself to a truly fantastic Broadway spectacle that will leave you smiling and humming some good new tunes.
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